Chapter 01
Every shot, before it rolls or renders.
Beat by beat, panel by panel, until the sequence holds. Storyboards, shootingboards and boardomatics — for film and advertising.
Chapter 02
Lenses, movements, edit, proven in 3D.
Actual focal lengths, actual distances. Scenes, camera and a first animation pass, blocked out in 3D — enough motion to test whether a shot works, and the base an AI production can build on.
Chapter 03
Blocking, curves, polish, frame by frame.
Camera, characters, objects and motion graphics. Keyframed, hand-drawn, captured or AI-assisted. Motion from basic blocking to polished animation.
Chapter 04
Light, shadow, PBR or AI, final look.
The finished frame — rendered in 3D, through local AI workflows or with cloud-based models. Whichever the pipeline calls for.
Booking
Send me your shotlist and let's talk it through — the story, the references, what each shot has to carry. I work up staging, framing and shooting order, turned around fast, so we settle the idea while it's still cheap to change.
Brief me on the rhythm you're after — cut length, format, pacing. I turn them into a 3D animatic: timing, length, beat, animation blocking and camera movement. The shots that don't work die here, before they get expensive.
Book me for a single shot or the whole sequence. Send the final previz and rigs, or let me build them. I take shots from blocking to final animation — hand-keyed, simulation-driven or mocap-based — blocking first, then polish.
Share styleguide, references, the frames it has to match or the look that you are after. Lighting and shading, rendered in clean passes or AI-rendered, whichever serves the shot or budget. Smaller compositing and grade work, I handle myself.
Send me your request and deadline, get a figure within 24 hours.